A. Sondra feels like a kitten freely frolicking through a field.


"In addition to emphasizing the benefits of proper eating and physical and spiritual health, God has spoken against the use of:
"Your body is instrumental in bringing you both pain and great joy. A healthy lifestyle promotes a sense of well-being. Exercise, eating and sleeping properly, and a cheerful attitude will all contribute to your happiness. Today, the scientific community promotes many of the same principles that a loving Heavenly Father gave to Joseph Smith nearly two centuries ago."
Though the commandment is very specific in advising everyone everywhere to eat and live healthy, it is also very explicit in what types of things should not be consumed. One of these things is coffee. Mormons and non-Mormons alike speculate as to why coffee is specifically out-ruled by the Lord. Many believe that it is because of the caffeine. Some reason that caffeine, as an addictive substance, can caught people to value it above the Lord.
Since I'm already recommending a book I figured I might as well go ahead and recommend this awesome movie--Love is Never Silent--since it is also on my mind.WE have come to expect certain values in a ''Hallmark Hall of Fame'' production: fine actors, lavish sets with scrupulous attention to detail, and what must be called, until a better phrase comes along, family entertainment. We get all this in ''Love Is Never Silent'' on NBC at 9 P.M. tonight.
To be sure, ''family entertainment'' has a slightly pejorative connotation. We think of sentiment and uplift. Actually, there's nothing wrong with either of these qualities, and they're present in the production tonight. The sentiment, however, isn't saccharine, and the uplift isn't cloying. ''Love is Never Silent'' is tough-minded.
The production, based on Joanne Greenberg's novel, ''In This Sign,'' is the story of a young woman (played by Mare Winningham) and her deaf parents (Phyllis Frelich and Ed Waterstreet). The story begins in 1931. There are hard times. We get a tenement neighborhood, the details faithfully recreated. At the same time, much of this is filmed in a soft, golden haze. ''Love is Never Silent'' is an extremely good-looking production.
Miss Winningham is her family's bridge to the speaking world. Miss Frelich and Mr. Waterstreet, both members of the National Theater of the Deaf, live in a world of silence. Their daughter - we see her first at the age of 10, when she is played by Susan Ann Curtis - must even arrange the funeral of her younger brother. She is burdened, and her feelings of guilt, shame, love and duty are in collision.
Miss Winningham, a fetching actress, uses sign language to communicate with Miss Frelich and Mr. Waterstreet. She speaks the lines aloud as well. With the help of Joseph Sargent, the director, she creates a touching character: a young woman torn between her own needs and those of her parents. ''Why can't you understand that - I'm not different,'' she shouts at Miss Frelich. But she is different, of course; her family ensures that.
Thus sacrifices are made. Costs are extracted. For much of the production, Miss Winningham has only Sid Caesar to rely on. Mr. Caesar plays the owner of a pawn shop, supposedly a Greek immigrant. It's nice to see Mr. Caesar on television again, although he does speak in bromides. ''People laugh at me because I talk different,'' he tells Miss Winningham, and ''Where is your life - your happiness?'' Nothing about this seems Greek, incidentally, except that Mr. Caesar wears a fisherman's cap and at one point mentions ouzo.
Meanwhile, Miss Winningham grows up. It is World War II. She meets a nice young man (Fredric Lehne) who, before he goes overseas, proposes marriage. Miss Winningham is reluctant. She says there are things about her he doesn't know. He implores; she finally confesses. Her parents, she says, are deaf.
''Is that it? Is that all?'' he says incredulously. Actually, he's touching on a weakness in ''Love Is Never Silent.'' As touching as much of it is, the family problems do grow a little tiresome. We're hoping Miss Winningham will clear out and lead her own life long before she does. Part of the problem here is that Miss Frelich, who proved in ''Children of a Lesser God'' on Broadway that she is an extremely versatile actress, is giving us a sullen and suspicious mother. She has a wonderfully exuberant scene toward the end, but it's an awfully long time coming.
Still, it is a handsome production - the executive producer is Marian Rees - and it also gives us Cloris Leachman, seen in the small part of Mr. Lehne's mother. Watch Miss Leachman, using one of her agonized smiles, take a dinner-table scene and steal it. ''Love Is Never Silent'' is intelligent and sometimes moving, but it doesn't quite touch us the way it should.
I have been working on the summer issue of the SSA Newsletter and decided to take a short break to recommend an excellent book called Whatever It Takes by Paul Tough. A couple of posts back I wrote about social stratification and how I love the class I am taking on the topic and how it basically plagues my every thought. I have also spent a large chunk of the semester studying and researching for a paper in this class. My basic argument is that stratification begins during the initial stages of life (i.e., prenatal existence and early childhood). For the last day of class we were assigned to read Tough's book.I LOVE this book and recommend it to anyone interested in the big picture of 'who gets what and why?' (as well as when, where, and how). I think Tough did an excellent job of combining these big picture ideas with a real-world application (Geoffrey Canada's Harlem Children's Zone). If you are remotely interested in stratification, 'fairness', or even advocating for others in public policy, NGOs, etc. then this is a magnificent, inspiring, and hopeful read.
I got a job working for a youth development program with an NGO back home in Louisiana. Turns out that they are also in-charge of several other programs that benefit low socioeconomic families and their children such as the local Headstart. I think it would be a great idea for everyone on our staff to read this book and be especially familiar with the literature review in chapter 2.
Anyhow, below is a review, summary, and comments on the book. Check it out! It's awesome.
(The following comments, etc. came from the website-- http://www.paultough.com/ ).
What would it take?
That was the question that Geoffrey Canada found himself asking a decade ago. What would it take to change the lives of poor children — not one by one, through heroic interventions and occasional miracles, but in big numbers, and in a way that could be replicated nationwide? The question led him to create the Harlem Children's Zone, a 97-block laboratory in central Harlem where he is testing new and sometimes controversial ideas about poverty in America. His conclusion: if you want poor kids to be able to compete with their middle-class peers, you need to change everything in the lives — their schools, their neighborhoods, even the child-rearing practices of their parents.
Whatever It Takes contains what writer Alex Kotlowitz has called "the most cogent, provocative, and original thinking on urban poverty to come along in many, many years." It is an inspired portrait not only of Geoffrey Canada but also of the parents and children in Harlem who are struggling to better their lives, often against great odds. Carefully researched and deeply affecting, this is a dispatch from inside the most daring and potentially transformative social experiment of our time.The media also played a large role in setting women's sports backward when, in the first Olympics that women were allowed to run a longer distance, the runners were reported to have "fainted" and been very distressed. The myth that physical activity jeopardized a woman's ability to conceive persisted for years and represents society's struggle to accept women as athletic and feminine. Being a mother is really the ultimate in femininity, and is the very thing society thought athletics must interfere with.
Another interesting piece of 'Dare to Compete' is the progress of black women in sports. Black women were given the chance to compete in track and field before white women; they excelled in it too. These female athletes may have helped inspire other athletes to push themselves and defy society's expectations. Thanks to everything that women achieved--from Babe, to African-American women's track teams, to Billie Jean King's beating a male tennis player—the way was paved for my generation to participate in sports and continue to challenge ourselves on the athletic field and to challenge society's norms for women. There is still work to be done, but each story of women succeeding in sports is a victory for all women." [All written by Joanna Scott]